Upside Down World: Early European Impressions of Australia's Animals by Penny Olsen
SKU: 127439559492

Upside Down World: Early European Impressions of Australia's Animals

Author: Penny Olsen
Special Features: Illustrated

Australian History Art History Natural History Colonial History Illustrated Reference Environmental History Animals in Art

Upside Down World: Early European Impressions of Australia’s Animals is the lavishly illustrated, award-winning journey behind the first European pictures of kangaroos, koalas and platypuses—images that literally turned the scientific world upside-down. Curated by natural-history author Penny Olsen, this 240-page National Library of Australia treasure reproduces centuries-old engravings, watercolours and sketch-book pages that have rarely been displayed since they were created by explorers, naval artists and convict illustrators from 1770-1860. For collectors and history-lovers, owning this 2010 large-format softback means holding the same plates that once shocked European audiences who had never seen a creature that hopped or laid eggs yet nursed its young.

What makes the book so special is the way Olsen pairs each breathtaking artwork with the back-story of the animal and the artist, revealing how early impressions ranged from hilariously wrong to scientifically groundbreaking. Readers discover why the first kangaroo was painted with a deer’s head, how the platypus was declared a hoax, and which sketches became priceless propaganda for the new colony. The generous 250 mm × 220 mm page size lets every lithograph and hand-coloured engraving breathe, while captions explain conservation, colour fading and the slow birth of Australian ecological awareness—perfect for young adults, art students and anyone who wants coffee-table beauty plus real scholarship.

Because it is a textbook-quality reference produced by the National Library, Upside Down World is both a readable narrative and an authoritative citation source for school projects, university essays or museum talks. Condition-wise, this copy is in very good shape: clean, tight pages with no writing, no ex-library marks, and only light edge rubbing to the illustrated cover—a fault that keeps the price friendly while still giving you a book that looks fresh on the shelf. For anyone passionate about Australian history, natural-history art, or simply the quirky story of how the world came to know our wildlife, this edition remains the most accessible and visually stunning gateway available.

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